#Vox tonelab st patches download Patch
#Vox tonelab st patches download plus

#Vox tonelab st patches download Patch

A plasma display looks after patch names (up to eight characters) and numbers as well as monitoring parameter editing, and in all there are 96 program memories (arranged as 24 banks of four) of which 48 are presets and the remaining 48 are for user patches. In contrast with the flowing lines of the Pod, the Tone Lab is presented in a businesslike metal case with Vox-style chicken-head knobs, traditional amp controls, and a small perspex bulge to protect (and at the same time show off) the tube. Note that the tuner's reference 'A' can be recalibrated between 438Hz and 445Hz. A network-style socket labelled Vox Bus is used to connect an optional floor controller that simplifies patch changing in live performance as well as giving access to the tap tempo feature, the tuner and two pedals for controlling volume and wah.

The digital signal at both the input and output converters is at 20-bit resolution and has a sampling rate of 44.1kHz.

#Vox tonelab st patches download plus

The Tone Lab has the usual stereo analogue outs on balanced jacks, but also offers a digital output via optical S/PDIF, plus MIDI In and Out jacks for patch dumping or parameter editing using the free (but PC-only) Sound Editor software. The unit also has an integrated noise gate that can be set differently for each patch, and a built-in chromatic guitar tuner. In the pedal section are ten effects, comprising Compressor, Acoustic Emulation, Vox Wah, Auto Wah, U-Vibe, Octave, Treble Boost, Tube OD, Fat OD and Fuzz, again all editable via the same three knobs. There are five types of modulation effect to choose from, three delay types, and three types of reverb, all with simple pedal-style editing via three front-panel knobs. Unlike the Line 6 approach, there is no dedicated mic modelling stage. Preceding the mini tube power stage is a digital modelling system that provides amp modelling, speaker modelling, stomp-box modelling and a post-amp effect section where the user can add modulation, delay and reverb at the same time. The unit may also be used in mono by connecting only the left output. Not only does the correct choice of power amp characteristic affect the sound, but it also changes the way the guitar feels to the player, which is a vitally important element of any guitar amplification system, and one that probably makes no sense at all to keyboard players!ДЄ rear-panel slide switch selects between Amp and Line, where the Amp output is voiced for use with a guitar amplifier (seemingly with quite a lot of top cut to compensate for the top boost added within most guitar amps) and Line is designed for DI recording. Vox AC15s and AC30s used Class-A circuits, whereas the majority of Marshall and Fender designs, other than very low-power models such as the Fender Champ, have Class-AB push-pull output stages. Furthermore, this miniature power stage automatically switches between Class A and Class AB depending on the amp model selected, and the output tubes of the original amp are shown in the display window for whatever model is active. The Presence control on those amps that feature one also relies on the output transformer - rather than simply being EQ as you might imagine, Presence controls adjust the amount of negative feedback in the power amp section from the output side of the transformer, which means that the effect is actually quite complex.

Valve ReactorДЄ built-in valve gain stage adds extra realism to many of the amp models.Much of the effort has gone into recreating the effect of an output transformer without actually having one, an important factor given that the output transformer and the way it interacts with the loudspeaker load forms a crucial part of the tube-amp sound. Such innovative technology has to be given a fancy name, and in this case it is the Vox Valve Reactor. However, whereas the Pod takes the all-digital approach, the Tone Lab includes a miniature power-amp stage based around a 12AX7/ECC83 dual-triode tube, where some clever 'pseudo-transformer' circuitry has been used to make this influence the sound much as a real power stage would. Conceptually, the Valvetronix Tone Lab fits into the same camp as products like the Line 6 Pod (amp/speaker modelling plus effects) and can be used either for DI recording or to feed an amplifier for live performance. The Vox Valvetronix Tone Lab is a spin-off from Vox's AD60/120VT modelling amplifiers, which take the approach of combining digital modelling and signal processing with both solid-state and analogue amplification stages, rather than trying to emulate absolutely everything digitally.

This modelling preamp achieves a variety of realistic amp tones by combining DSP processing with real analogue gain stages.